Netflix Family Movies for Teens 2018 and 2019
The Best Teen Movies on Netflix Right Now
From classics to recent favorites.
'A Cinderella Story' | Columbia Pictures
'A Cinderella Story' | Columbia Pictures
Ah, the teenage years, those glorious days when anybody is an young, hormone-addled ball of energy trying to figure out how to exist a person in the world, and also how to get to that political partyliterally anybodywill attend after homecoming. While many movies chronicling this period of human being development are fun and lighthearted, fifty-fifty the bounciest offer a darkly comforting reminder: Yous survived. Put on your varsity jacket, take hold of your Trapper Keeper, and stream these essential teen movies on Netflix.
Besides READ: Our lists of the best teen Television set shows on Netflix and the best teen movies on Amazon
All the Vivid Places (2020)
Based on the international bestselling young developed fiction novel by Jennifer Niven, All the Bright Places tells the story of high school students, Violet (Elle Fanning) and Theodore, who likes to go by his terminal proper name, Finch (Justice Smith), both of whom are suffering from mental illness acquired by trauma in their pasts. It's a tender love story, growing from two cleaved people who, together, brainstorm the process of healing. The film is both gentle and heartbreaking, and a rare entry in the excess of teen Netflix originals that truly tries to handle mental health with intendance.
The Bodyguard(2017) &The Babysitter: Killer Queen (2020)
One pre-teen boy's (Judah Lewis) fantasy about his babysitter (Samara Weaving) turns into a nightmare when it's revealed she and her hot friends (which includes Bella Thorne equally a cheerleader,Upload's Robbie Amell as a buff sociopath, and Vine star-turned-histrion Rex Bach) dabble in human sacrifices. Managing director McG's cocky-aware spin on the babysitter slasher is more comedy than horror, delivering a bloody fun time in a stylish and dumb mode. Archetypes get turned on their heads, laugh lines punctuate most every scene, and reality mostly ceases to be while our hero tries to larn some sort of lesson. It's goofy mayhem in all the right means, and finds its vocalism in the 2020 follow-up. If you lot hit play, please don't ruin a good thing by taking it too seriously.
Brahman Naman (2016)
Truly, naught can spice upward a school quiz tournament similar the quest to lose your virginity. This '80s-ready Netflix original sends a Bangalore trio of high school horndogs to Calcutta to win on both counts. Directed by Qaushiq Mukherjee and starring Shashank Arora as our protagonist, Brahman Naman is a hilarious, international festival hit of a teen motion picture.
Carrie Pilby (2016)
At first, it's not so like shooting fish in a barrel to like the titular grapheme (played by Diary of a Teenaged Daughter's Bel Powley) in this quaint indie. She'due south but 19 and highly intelligent, having already graduated from Harvard at her age and is privileged enough to already live alone in NYC. She's likewise quite scared to leave her flat, though, doesn't know how to socialize with others, and is rather alone, fifty-fifty if she doesn't know it. Based on a to-do list that her therapist (Nathan Lane) gives her, the picture show adapted from Caren Lissner's novel follows her assignment to become equally socially intelligent equally she is brainy, and in plow, a much happier person. It's a sweet rom-com helmed by To All the Boys I've Loved Earlier director Susan Johnson with its strength lying in subtly being a more somber coming-of-age motion picture than information technology makes itself out to be.
The DUFF (2015)
If you weren't already enlightened, DUFF stands for "designated ugly fat friend." Yous might think that a movie about such a hateful, juvenile term would make it superficial, but this is really quite a jewel of a teen moving picture. The always charming Mae Whitman leads the cast as Bianca, who, yeah, is the titular DUFF—although it's just because she's less popular than the others in her friend group. When she comes to this realization, she strikes a deal with her friend (Robbie Arnell) to aid him study in exchange for tips on changing her social status. It may be a anticipated story about learning a thing or ii about self-acceptance and owning information technology, but it's a genuinely sweet comedy with a sense of humour resonant of Piece of cake A. Electric current and former teens akin cans e'er utilise its bulletin of positivity.
Edge of Seventeen (1998)
A suburban '80s nostalgia trip, Edge of Seventeen is like a John Hughes motion-picture show if a John Hughes flick were to take ever focused on one of the gay kids hidden in the background of those teen classics. The coming-of-historic period story prepare in 1984 Ohio focuses on the teenaged Eric Hunter, who's obsessed with androgynous stars similar Annie Lennox and Boy George and still figuring out his identity. A bit racier than your average teen dramedy equally it delves into how like shooting fish in a barrel it is to confuse sex with true feelings, information technology's an essential picture show about coming out and the dizzying feeling of sexual firsts.
The Edge of Seventeen (2016)
As romanticized every bit adolescence can be, it's hard existence immature. Following the high school experience of troubled, overdramatic Nadine (Hailee Steinfeld), The Edge of Seventeen portrays the woes of adolescence with a tender, withal appropriately derisive tone. As if junior year isn't hellish plenty, the universe essentially bursts into flames when Nadine finds out her best friend is dating her brother; their friendship begins to deliquesce, and she finds the only return on young love is embarrassment and pain. That may all sound similar a miserable premise for a young-developed film, except it'south all painfully accurate, making it endearingly hilarious—and there's and then much to dearest well-nigh Steinfeld'southward self-aware performance.
Fear Street trilogy (2021)
Netflix'southward aggressive series of three interconnected movies based on the classic R.50. Stine books are a gory good fourth dimension. All are directed by Leigh Janiak and Part Ane: 1994, introduces audiences to the cursed boondocks of Shadyside and the teens who have been afflicted. The second jumps back in time to 1978 where a killer is stalking a military camp, and the third, set in 1666, explains how this all started. Drawing from horror classics similar Scream, the Fearfulness Street movies mix gruesome kills with tongue-in-cheek laughs, and feature a refreshingly queer point of view.
The Fundamentals of Caring(2016)
People love Paul Rudd! That belief lone probably motivated this pigment-by-numbers mid-2000s indie ripoff, which stars Rudd as a retired author (hah!) searching for his side by side chapter (go it?). After deciding to get a caregiver (yes, this plot is shaping up nicely), he gets a job from a woman whose teenage son, Trevor, has muscular dystrophy, but also a sarcastic sense of humor. When Rudd and the kid get on a route trip to meet famous roadside attractions (it's one of Trevor's adorable character quirks that he's obsessed with roadside attractions), they acquire enough most each other, simply—spoiler—just as much about themselves. Selena Gomez shows upwards as a love involvement for practiced mensurate, then if you're in the mood for an undemanding, treacly teen route-trip picture,The Fundamentals of Caring is your Rudd-approved all-time bet.
Good Burger(1997)
Welcome to Netflix, home ofAdept Burger, which you should watch in curt guild. Kenan Thompson and Kel Mitchell spun off a pop sketch from Nickelodeon'sAll That to make this rowdy comedy about teens who spend the summer working at their friendly neighborhood fast-food stand and the Nick slime-worthy gaffes that effect from a foul burger-chain rivalry. With cameos from Shaq and Sinbad, French-fry gags, and a brawl over an insanely tasty surreptitious sauce, you'll exist snort-laughing milkshake out your nose in the first 10 minutes.
Hairspray (2007)
Welcome to the '60s, babe! Motion picture musicals aren't always great, but this adaptation of the stage bear witness based on John Waters' cult classic is like a genuinely enjoyable 20th century variety show shot in technicolor. Information technology'southward campy and ridiculous seeing "pleasantly plump" Tracy Turnblad experience discrimination outset-mitt and decide to help lead a fight for racial justice to stick it to the then-called "Nicest Kids in Town" on the all-white Corny Collins Bear witness, and all of the bubblegum popular and Motown-inspired songs will get you grooving. While John Travolta is no Divine, the star-studded cast is delightful (and makes a instance for Zac Efron leading more musicals).
The One-half of It (2020)
"This is not a love story," the heroine, Ellie Chu (Leah Lewis), says at the outset of The Half of It, Alice Wu's coming-of-historic period film. It'southward one of those witty lines that the lead in teen movies tends to say, but this Netflix original is a lot smarter than that opening line—and it'southward more than endearing for it. The picture follows Ellie, the but person of Chinese descent in a tiny town called Squahamish who writes her high school classmates' papers for money. Ane of those offers comes from a boy named Paul Munsky (Daniel Diemer) who wants her help to write a love letter for a girl named Aster Flores (Alexxis Lemire). A conflicted Ellie, who likewise has a crush on Aster, at offset declines but ultimately succumbs to help her family get past with her side hustle. It sounds like the making of a classic rom-com, butThe Half of Itis truly not a love story as it plays out, which makes it one of Netflix'south more mature teen originals.
I Know What Yous Did Terminal Summertime (1997)
Based on the novel past Lois Duncan, I Know What You Did Last Summertime features the teen queens and kings of the '90s at the height of their powers. Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillippe, and Freddie Prinze Jr. star as a group of pals in a waterside North Carolina boondocks who accidentally kill someone the summer before they caput off for college and are then stalked by a killer with a hook the post-obit year. It's alternately goofy and os-chilling, so what are you waiting for? Start streaming.
It Follows (2015)
The villain of this retro-thriller doesn't need to creep. "It"—a demon? An embodiment of fear? A walking STI?—tin come from whatsoever direction at whatsoever fourth dimension and can't be stopped. All its target tin can do is run, or damn someone new by transmitting the possession through intercourse. A relentless hunt set against a picturesque suburban dreamworld, It Follows builds scares from pure suspense, a welcome alternative to the screeching, skittish horror movies that frequent theaters.
Lady Bird (2017)
The boundless, frustrating, exhilarating rite of passage that is senior year of high school is the focus of actress Greta Gerwig'due south offset directorial effort, the story of daughter named Lady Bird (her given name, in that "it's given to me, by me") who rebels confronting everyday Sacramento, California life to obtain whatever it is "freedom" turns out to exist. Laurie Metcalf is an understated powerhouse equally Lady Bird'southward female parent, a constant source of contention who adamantly pushes her daughter to be successful in the face of the family's dwindling economical resources. It'due south a tragic note in total complement to Gerwig'southward hysterical love alphabetic character to home, high schoolhouse, and the history of ourselves.
Moxie (2021)
Based on a novel past Jennifer Mathieu, Moxie follows Vivian (Hadley Robinson), a placidity teen, who, upon seeing the gender-based injustices going on at her school, decides to get-go a zine after learning about her mom's (Amy Poehler, who besides directed the movie) riot grrrl past. After surreptitiously placing her photocopied cosmos in the girls' bath, she starts a motion aimed at stopping the rampant harassment on campus led past a football star (Patrick Schwarzenegger). Moxie is definitely flawed with its perfunctory nods to intersectionality—that especially can't be ignored considering the underused supporting bandage. But, hey, it is an admirable, stirring movie with a swell Bikini Kill-infused soundtrack—so if it gets a generation of coincidental Netflix viewers into riot grrrl, that's a internet positive.
My Girl (1991)
Information technology'south been 30 years sinceMy Girl, and if yous don't already know what happens: Our sincerest apologies, your heart is virtually to exist destroyed. The movie nearly a daughter (Anna Chlumsky) growing upwards in a funeral home with her widowed father (Dan Aykroyd) is every bit sweet as a popsicle on a hot summer day, and a compelling story most the throes of adolescence. Chlumsky and a teeny, tiny Macaulay Culkin are adorable every bit Vada Sultenfuss and Thomas J., and their chemistry as best friends from down the block only makes the inevitable tragedy that much more painful. (Unless y'all're heartless, it'due south impossible not to cry when Vada shouts, "He tin can't see without his glasses!") My Girl will bring you dorsum to those raw, 12-year-old feelings.
Not Another Teen Film (2000)
When it comes to parody movies, Not Another Teen Movie is not at the Scary Movie levels of excellence, but information technology's amend than most, largely thanks to its great cast, including a pre-Helm America Chris Evans, Jaime Pressly, and Ron Lester substantially reprising his part from Varsity Blues to... make fun of Varsity Blues. Evans really is the all-star here as the smarmy jock, and information technology'south the gender-flipped whipped cream sequence that will continue you rewatching again and again.
Projection X (2012)
There's political party movies, then in that location's Project X. Nima Nourizadeh's Brute Business firm of the 2010s exists on a sliding scale of the absolute freaking sickest party ever and a nightmare that's no short of hell unleashed—all dependent on what hr of the night information technology is, how tolerant of heinous behavior you are, and whether you have any pyrophobia. The movie is definitely a time capsule of early 2010s Tumblr aesthetics and sleaziness, but it remains an feel equally it pieces together footage from phones and camcorders to document one teenager's houseparty every bit it gets out of hand.
Scary Stories to Tell in the Dark (2019)
The beloved storybooks of our preteen years were finally been transported to the big screen with this 2019 motion picture, and the result is a good bargain of low-fundamental, old-fashioned, family-friendly, and appreciably creepy fun. Rather than an anthology format, several of the tales plant in Alvin Schwartz's frightening source material find themselves sprinkled into traditional framework about three adventurous teenagers and one haunted volume. It's a teen scream that actually manages to give y'all the heebie-jeebies, largely due to its cool creature effects.
Sierra Burgess Is a Loser(2018)
In this Netflix original movie, titular loser Sierra Burgess (Shannon Purser, AKA Barb from Stranger Things) enlists her high school'south virtually popular girl Veronica (Kristine Froseth) after semi-accidentally falling into catfishing the hot jock Jamey (Noah Centineo, aka Peter Kavinsky from To All the Boys I've Loved Before) who mixed up his phone numbers. The Netflix rom-com is creepy-sweet in the way only awkward high school tales tin can get away with.
To All the Boys I've Loved Before(2018)
What if your private letters to your crushes weren't individual, but wound up in the hands of aforementioned crushes? Information technology'south a teen'due south nightmare! But possibly—just peradventure!—this story, which is based on Jenny Han's best-selling YA novel of the same name, will plough out to have a happy ending. With strong performances from young leads Lana Condor and Noah Centineo,To All the Boys I've Loved Beforeis the rare Netflix original movie with enough eye and sincerity to overcome its flaws.
21 Jump Street (2012)
This reboot of the '80s procedural of the aforementioned name solely recycles the concept of young cops going undercover to investigate crimes in loftier school and higher. It adds a lot more than crude humor, a blockbuster scale, and self-referential jokes that parody teen movie tropes—and it mother-f-ing rules. Channing Tatum and John Loma are a match made in buddy cop movie Heaven, playing Schmidt and Jenko who don't wait young at all only are sent back to high school nevertheless to rails down a mysterious new drug. It'due south a big-budget action-comedy that remains very funny and quotable—and it'll remind you to always two-strap it, no matter what yous do.
Unfriended (2014)
The Blair Witch Project popularized the found-footage genre, and Unfriended was the get-go to tap into the fifty-fifty more niche subset of the horror fashion—social media/estimator screen establish-footage. The showtime of its kind, the movie from Blumhouse isn't e'er a main of its craft and can feel more like being forced into peering at a screen from over someone'southward shoulder like you're waiting for your sibling'south allotted screen time to wrap upwards, and is sometimes flat-out giddy, but since nosotros're fond to being online, it is difficult to look away. It follows a group of teenagers whose chatroom appears to be haunted past their friend who was recently bullied and died by suicide. Fifty-fifty when the scares are cheap, it'due south an interesting experiment that's worth logging into.
Wild Things (1998)
If you, like many, watched Wild Things at an impressionable age, it withal might exist one of the sexiest movies you lot've ever seen, despite its magnitude of issues. In Florida (of grade), a loftier school counselor who is also a perpetual bachelor (played by a very sexy Matt Dillon) is accused of raping 2 students (Denise Richards and Neve Campbell). The story is far more complicated and twisty than that premise, which includes many consensual sex scenes, threesomes galore, and if you lot slo-mo in just the right way—Kevin Salary's bacon. It'southward a well-executed erotic thriller that was released right as the genre emitted its terminal gasps of air.
Aye, God, Yes (2020)
Yes, God, Yes is a hysterical, humble indie of divine intervention. The film from Karen Maine is a teen raunch comedy that's totally unlike other teen raunch comedies, following a high school girl (Stranger Things' Natalia Dyer) as she wrestles with newfound sexual urges while on a repressive, bourgeois church retreat. Dyer is utterly charming in the part equally a naive but defiant young adult female turned off by her peers' holier than thousand attitudes, and the flick's setting in the early on '00s featuring flip phones and scandalous AIM chat rooms makes it all the more than laughable. Information technology's a rare sexual activity comedy that has equally much to say about the embarrassments of coming-of-historic period as it does near cocky-righteousness, and for that it feels like a teen movie sent downward from the heavens.
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